The of the film at the Venice Film Festival [1]. Share public link
: The title and aesthetic pay homage to the 19th-century French realist painter Gustave Courbet , particularly his scandalous work L'Origine du monde (The Origin of the World). Brass uses the hotel setting as a canvas to recreate Courbet's focus on raw, unidealized human anatomy. tinto brass hotel courbet
The 66th Venice International Film Festival not only screened Brass's new short but also honored him with a retrospective titled "Questi Fantasmi 2," showcasing his earlier works like Nerosubianco (1969). This event was widely seen as the "rehabilitation" of a major filmmaker. A grateful but defiant Brass thanked festival director Marco Müller for finally looking at his work "without prejudice" and famously remarked, "Better late than never". The of the film at the Venice Film Festival [1]
Hotel Courbet premiered at the 66th Venice International Film Festival, where it sparked a mix of admiration and discussion. Critics noted that while the film was brief, it felt like a manifesto for a specific style of filmmaking—one less interested in complex plots and entirely obsessed with the "landscape" of the human form. The 66th Venice International Film Festival not only
Think 1970s Italian film set meets brutalist gallery. Raw concrete walls are softened by velvet curtains in deep burgundy and gold. Low, moody lighting (controlled via a custom app, of course) casts shadows that play with the room’s centerpieces: large-scale, museum-quality prints of Brass’s iconic film stills and a rotating collection of works inspired by Courbet’s L’Origine du monde .
The film features Caterina Varzi , who collaborated frequently with Brass in his later years, as well as Alberto Petrolini and Vincenzo Varzi .
The history of Italian independent cinema in the 21st century.