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In classic 20th-century cinema, the red-light district was framed as a cautionary tale or a site of tragic redemption. Characters residing in these pockets were often depicted as victims of societal cruelty. Masterpieces like Guru Dutt’s Pyaasa (1957) critiqued societal hypocrisy through soulful melodies set against the backdrop of red-light stairwells, capturing the profound isolation of disenfranchised spaces. 2. The Realist Shift: Salaam Bombay!

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