In a vast majority of Krivon’s portraits—often faceless or with eyes replaced by swirling voids of code—the subject is blind. Critic Julian Farrow once wrote, “To look at a Krivon piece is to realize you are not being watched back. In an age of surveillance capitalism, Alexander Krivon paints the only truly private citizens: the ones who cannot see you, because they are lost inside the network.”
His work often features portraits, genre scenes, and landscapes that symbolize spiritual power and common destiny. alexander krivon