Karin: Kitaoka

In Kitaoka’s creative process, the dancer is not the protagonist. The space is. She requires her performers to spend 72 hours in a performance venue before they can begin rehearsing, often blindfolded, mapping the reverb, temperature shifts, and airflow of the room. "A concrete wall has a rhythm," she often tells her company, The Null Ensemble . "We are just the resonance."

In addition to her Japanese heritage, Kitaoka cites a range of Western artistic influences, including the works of artists such as Frida Kahlo, René Magritte, and Salvador Dalí. These artists' innovative approaches to representation and reality have inspired Kitaoka to push the boundaries of her own creative practice, experimenting with new techniques and themes. karin kitaoka

Kitaoka has exhibited globally, with notable solo shows at the Mori Art Museum (Tokyo), the Victoria and Albert Museum (London), and the Museum of Arts and Design (New York). In Kitaoka’s creative process, the dancer is not

Her work is known for exploring various scenarios, which is typical for the industry. Kitaoka's ability to portray different characters has been a key factor in her growing popularity. "A concrete wall has a rhythm," she often