A fictionalized journey of an Afghan-Canadian woman returning to Afghanistan during the first Taliban regime to save her sister. It provided the Western world with one of its first major cinematic looks into the oppressive realities of daily life under the Taliban, just before the events of September 11. Osama (2003) Director: Siddiq Barmak
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The rise of the Taliban in the mid-1990s marked a catastrophic era for Afghan arts. The Taliban's hardline interpretation of Islamic law led to the complete ban of public film exhibition, television, and music. Cinema halls across the country were shuttered, their doors padlocked. In perhaps the most devastating act of cultural vandalism, the Taliban ordered the destruction of over 2,500 titles seized from the National Film Archive in Kabul. This systematic erasure was designed to wipe out Afghanistan's visual historical memory, forcing many of the country's most talented directors, like the prolific Salim Shaheen, to flee into exile in Pakistan. During these five years, the act of filmmaking itself was essentially outlawed, with only a handful of notable underground projects completed, such as Uruj (Ascension, 1995). This link or copies made by others cannot be deleted