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However, the new millennium brought a seismic shift. Directors like Lijo Jose Pellissery and scripts by writers like Syam Pushkaran and Hareesh began decimating the upper-caste gaze. Ee.Ma.Yau. (2018) is a masterclass in this. The entire film revolves around the funeral rites of a poor Christian fisherman. It is absurdist, tragic, and scathingly critical of the priestly class that extorts the poor in the name of salvation.

The 1980s and 1990s were dominated by two acting titans: Mammootty and Mohanlal. Their parallel reigns defined the industry for nearly four decades. What set them apart from superstars in other Indian film industries was their willingness to shed their heroic image. However, the new millennium brought a seismic shift

: Modern hits like Kumbalangi Nights are lauded for their nuanced portrayal of family dynamics, masculinity, and social marginalization. (2018) is a masterclass in this