The album's 14 tracks fluctuate seamlessly between tightly composed tone poems and completely spontaneous, collective improvisations:
The scraping of Glen Moore’s bow against the double bass strings, the subtle buzz of the sitar’s jawari (bridge), and the breathing techniques of Paul McCandless are preserved in a lossless format. Lossy formats compress these delicate transients, flattening the life out of the performance. 2. The Decay of Percussion Oregon Music of Another Present Era 1972 FLAC
The metallic ring and rich lower-register boom of Towner’s . The album's 14 tracks fluctuate seamlessly between tightly