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A romance cannot thrive narratively without friction. If two characters meet, instantly fall in love, and face no hurdles, the story flatlines. Conflict generally falls into two categories:
: Explores conflict through competing desires, often forcing a choice between stability and passion [36]. (PDF) The stories couples live by - ResearchGate
The Trap: The Love Interest has no flaws except being "too devoted" or "a little clumsy." The Fix: The Love Interest must have a flaw that directly harms the protagonist's specific wound. If your hero fears abandonment, the LI should be commitment-phobic. If your hero is controlling, the LI should be chaotic. The chemistry is in the clash.
