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In the mid-20th century, Hollywood used melodrama to explore the sacrifices and burdens of motherhood. Films like Stella Dallas (1937) highlighted the self-sacrificing mother, but as the decades progressed, cinema began to look at the darker side of maternal devotion. The classic Hollywood era frequently interrogated the consequences of a mother’s ambition vicariously lived through her son, or conversely, a son’s duty preventing his own happiness, as seen in the sweeping family dynamics of John Ford’s How Green Was My Valley (1941). The Birth of Psychological Horror
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Hollywood often struggles to give mothers agency outside of their relationship to the son. Mothers are frequently absent (the Disney trope of the dead mother) or defined by their sacrifice. When they are present, the narrative often focuses on the son's struggle to "cut the apron strings." In the mid-20th century, Hollywood used melodrama to
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