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Caste has been a recurring, central theme, explored in distinct waves. The films of the 1950s and 60s, while progressive, often framed caste oppression as a problem of class and economic exploitation. In Neelakuyil , the Dalit woman Neeli is betrayed and dies, but the film’s "reformed" upper-caste schoolmaster finds resolution in adopting their son into his family, thus maintaining a caste framework even as it critiques untouchability.

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In Kerala culture, intellectual humility and emotional honesty are highly valued. Malayalam cinema reflects this by creating protagonists who fail, struggle with financial crisis, or exhibit moral ambiguity. Mohanlal’s portrayal of a debt-ridden middle-class man in Varavelpu or Mammootty’s depiction of a deeply flawed, insecure individual in Amaram exemplify this trend. Caste has been a recurring, central theme, explored

The 1980s and 1990s consolidated this connection through filmmakers like Adoor Gopalakrishnan, G. Aravindan, and Padmarajan. They captured the nuances of middle-class Malayali life, moving away from Bollywood-style escapism toward authentic human emotions. Visualizing the Kerala Landscape and Identity Malayalam Cinema and Kerala Culture: A Mirror to